Gone fishin' ...

Okay, I'm off my high horse for a while. Back to storytelling.

I haven't done an audio slideshow in a very long time. I'm not very good at cranking out down-and-dirty pieces. They tend to be painstaking, although I really enjoy working in multimedia.

Here it is. Parents and children narrate the family fun during the Bulloch Bass Club 16th Annual Youth Fishing Tournament:







Don't know about you, but it makes me want to dust off my fishing rods and head to the nearest pond.

Tuesday, May 25, 2010 | posted in daily work, multimedia | 0 comments [ More ]

Democracy at stake?

Navigating information in the Digital Age


I feel the need to follow up on the last post about the photo manipulation at The Dominion Post in Morgantown, WV.
I'd like to address a wider issue than the use of photography in communicating the news. I'm truly curious how the public feels about the information available on the internet from endless sources.

I have an idea that I put forth in a response to a comment on a previous post about Adobe Photoshop:

I personally believe one of the biggest problems in our society is ambivalence towards information and media, in general. We are ravenous consumers of information, but essentially ignorant about the processes and motivations behind the information we ingest. I honestly believe that our education, starting in high school and continued into college, ought to incorporate instruction in media literacy.

Classes that not only include an understanding of different kinds of media, but that also include an introduction to the editorial process and journalistic ethics. The public needs to understand what makes information reliable and believable so they can make informed choices in life.

Is democracy itself at stake, or is that overstating the issue?

Can we generate some discussion about that?

Thursday, May 20, 2010 | posted in commentary, ethics | 2 comments [ More ]

Not again!

Morgantown newspaper removes three legislators from front-page photo

The above report from West Virgina Public Broadcasting is making the rounds. It's the latest, and one of the most embarrassing examples of utterly unethical photo manipulation in the news.

We're supposed to report the news, not make it. Right? And this is certainly making the news for all the wrong reasons.

I hope I was crystal clear in my previous post about the use of Adobe Photoshop in the newsroom.

The most disturbing aspect of this report is the reaction of The Dominion Post editor Geri Ferrara. She is surprised anyone would object to the manipulation. For some reason, she seems to think that designating the picture as a "photo illustration" in the caption is sufficient. Further, she believes the paper's policy of not publishing photos of politicians running for office trumps accuracy and honesty in her publication's visual reportage.

I'd like to further quote National Press Photography Association Ethics Chair John Long:

"If a picture looks real – in the context of news – it better be real. You cannot caption away a visual lie."

Visual illiteracy is the culprit, in this case. If photographs and other types of visual journalism were given the same respect as words, these kinds of transgressions wouldn't occur in the first place.

I feel the need to apologize for one of my so-called colleagues.

Folks, you should expect information reported in the news to be accurate. It's all about credibility. Without, I don't have a job. Do I?

Thoughts?

Wednesday, May 19, 2010 | posted in commentary, ethics, photojournalism | 2 comments [ More ]

Access is music to my ears

B.B. King in Savannah, 2002.

"I can look at a fine art photograph and sometimes I can hear music."

– Ansel Adams

I'm a music lover. And I have to admit that music moves me more emotionally than the finest photograph. If I could scratch out a living making music, I'd do it. But alas, that takes a certain amount of talent which I just don't possess. I believe I've been blessed with a discerning ear, but the sounds that come out of my mouth and my guitar don't qualify as something that, well, someone with a discerning ear would be particularly pleased with. I think your mind has to be wired a certain way to be a good musician. My mind is wired for something else.

Instead, when I have the opportunity, I try to combine something I'm good at (photography) with something else I love (live musical performances). While music is primarily an aural experience, there is a strong visual element to musicians plying their craft. Great music, like great photographs, is something you can feel. And you can actually see when musicians pour their heart and soul into their performances. The challenge is to make a visual document that somehow communicates what you hear and feel.

    Virtuoso violinist Isaac Stern rehearses with the Savannah Symphony.

What does any of this have to do with access? Well, over the years, I've come to prefer photographing lesser known and local musicians in small venues such as clubs or bars instead of famous acts in huge venues like arenas and stadiums. Why? At one time, I wanted to be like iconic photographer Jim Marshall. His images documented rock and roll in its heyday – in the 1960s and early '70s. Images that were wrought with the same attitude as the music. Raw. Edgy. Primal. Not always flattering, but real. And memorable. His photographs were historic, visual records of revolutionary musicians. Photos that depicted human beings who were often as tragic and flawed as they were brilliant. And it was all possible because he got access.

Jazz musician Doug Carn on break at his club Adagio.

Marshall persuaded famous people to let him into their lives and photograph whatever he wanted. Not a one of them complained after the pictures were published, either. Can you imagine that in today's entertainment climate? Today, it's all business. It's all about control of image and merchandise. On one hand, I can't blame the artists. Piracy and misappropriation run rampant in a society where many view the internet as a free-for-all. On the other hand, it's frustrating as a photojournalist who's interested in making honest, revealing pictures of the people behind the public image.

By photographing lesser known musicians in smaller venues, it's easy to get the kind of access that creates more interesting, revealing pictures. The in-your-face action. The behind-the-scenes stuff. You don't get herded like cattle into roped-off areas and get forced to shoot the same stuff twenty other photographers are shooting.

Statesboro's own Chris Mitchell in 1999.

Recently, country music star (and now actor!) Tim McGraw came to town and played the football stadium at Georgia Southern University. There was a buzz because big name artists rarely stray from their big-city, big-venue tours and make a stop in Statesboro.

View from the soundboard

I get progressively more jaded every time I have to shoot a big concert. Acts get more restrictive all the time. Typically, you get to shoot during the first three songs, then you get escorted out of the venue. That's it. And it usually take more than three songs for the atmosphere to warm up. Musicians get in a groove. They connect more and more with the audience as they go along.  If the artist doesn't perform a signature song in the first three, you're out of luck.

As close as I could get

A group of local news media arrived at the stadium and we were led in by university staff. They laid down all the rules and then apologized for the strictness, saying those were the rules from McGraw's management. Usually, there is a roped-off area between the stage and the audience where photographers and videographers shoot from. This time, instead, we were led to an area just in front of the sound board – a good 30 or 40 yards from the stage!

"You must be kidding!" we all griped. There weren't even any risers for a sightline above the hundreds of fans between us and the stage. My longest telephoto lens could barely reach the action. The opening act came on, and I made a few frames of the musicians on stage - images that were probably inferior to those made by fans' phone cameras next to the stage. I was disgusted and couldn't wait for the event to be over. I spent most of the opening act making pictures of fans in the audience, which were much more interesting that the ones I made of teeny tiny figures on stage.

Tim McGraw fans Greg and Carolyn Taylor

After the opening act was over, someone came to the area that was part of McGraw's immediate management. There seemed to be some confusion and she was herding us together again. I couldn't hear exactly what she was saying at first, but it seems that we were not shooting from an "approved" area. She was concerned about us interfering with the sound crew and special guests. Great. So now we were going to be moved further away?

Well, I griped too hastily. Apparently, we were supposed to be up next to the stage, but someone forgot to make accommodations. Eventually, we were given the option of staying where we were, or we could be escorted through the crowd to the stage. "Lead the way," I said. Event staff led some of us through the crowd. I got slimed with sweat, hollered at by drunk fans, and pinched in the derrière, but I found my way to the T-shaped runway extending from the stage. I quickly made friends with a couple of very excited fans and a security worker, who very much looked the part but was quite friendly. I was one with the crowd when McGraw hit the stage, and I wouldn't have wanted it any other way.

Lisa Peavy, left, and Rachel Jackson in the front row.

My photos weren't anything terribly special. But they were infinitely better than if I had continued shooting from the sound board. I still couldn't name a single Tim McGraw song if you pointed a gun to my head. But I think was able to give Herald readers just a little sense of the excitement. To know what it was like to be in the front row.

Fans next to the stage reach out to country music star Tim McGraw at Paulson Stadium in Statesboro.

Amazing what just a little access can do for my psyche.

It's like music to my ears.

Tuesday, May 11, 2010 | posted in behind the lens, commentary, personal | 2 comments [ More ]