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Tip: Don't be afraid of the dark ...

Shining some light on the subject of shadows.





First year Giants T-ball coach Todd Hall, 
top right, gives some batting pointers to 
Lijah Williams, 6. The low evening sun-
light from behind not only reveals the 
texture and details of the infield, it 
creates shadows which become the main 
subject of the photograph.
Photographers talk an awful lot about light. After all, without light, there is no photography. How light interacts with the subjects and scenes we photograph can greatly influence how viewers feel about a photograph.

However, if you really want to create interest and drama in your photographs, the absence of light is just as important.

Shadows in the wrong place can ruin a good picture. Mid-day sunlight and florescent light from the ceiling can create ugly shadows in people's eye sockets or under their noses or chins.

Don't be afraid of shadows, though. If you really examine the light in your scene, shadows can make your photographs really come alive.

It's the interplay between light and shadow that reveals shape, form and texture. That interplay creates contrast and drama. Shadows themselves can even become the main subject of your photograph.





Rachel Z unleashes her stylistically diverse music on 
the audience at the Savannah Jazz Festival in 2004. The
spotlight from behind creates drama and reveals form 
by highlighting the edges of the subject.





President George W. Bush returns to Air Force One 
after stumping for Republican candidates in Savannah 
in 2003. Seemed appropriate to photograph a cowboy 
riding (flying?) off into the sunset.
If you want to take advantage of shadows, it's important to notice what direction your source of light is coming from. Light from the side, such as early morning/late afternoon sunlight or window light, is great for revealing texture and shape. Side light creates an almost three-dimensional effect and can cast long, dramatic shadows across your photograph.

Using light from behind a subject is most obvious in silhouettes. Silhouettes with pretty sunrises or sunsets are popular, but also a bit cliche. Properly exposing backlit subjects to reveal some detail in your subject without blowing out the background is tricky and requires some practice. But light from behind can accentuate the form of your subject by highlighting the edges.

If you really want to take your photography to the next level, start exploring light and shadow. Don't be stationary. Walk around your subjects and notice how the interplay of light and shadow changes. Pay attention to how the quality of light changes with the time of day.

And don't be afraid of the dark.







Testing brand loyalty

Canon has created a bit of a stir with photo geeks.

I've been a long-time Nikon user and fan, but heck yeah I'd drink my cup 'o joe out of this!

Alas, according to this article in Photo District News, this way cool coffee mug was created only as a a giveaway to photographers covering the Winter Olympics in Vancouver, and there are no plans to mass produce them.

C'mon Nikon - capitalize!

Friday, March 26, 2010 | posted in , | 0 comments [ More ]

The Corporate Runaround (Part 2) ...

Okay, enough games. The reason for Part 1 of this post was to point out a problem I frequently run into in the course of covering news -- that of corporate policies towards the news media.

My goal Monday was to inform and show public interest in the opening of a new restaurant in town. While I was greeted cordially by the general manager at Olive Garden®, I was also informed that I would need to stay in the front welcome area, and that their policy was to not allow their patrons to be photographed. Of course, they were the only reason I was there. He said he would double check.

He went into the back and returned with a gentleman dressed out in an executive chef-type outfit. I assumed he was one of those consultant-types from the corporate headquarters that specializes in getting new restaurants off the ground and making sure that they conformed to company standards. He repeated that the company policy was not to let patrons be photographed.

Now, I can understand this to an extent. But my intent was not to rush in like Rambo and make pictures paparazzi-style. "Well, I think it's important to show public interest in your restaurant's opening," I said. "What if I asked permission before I made any pictures of customers?"

The man simply shook his head "no."

Hmmmmm. "How 'bout this? Again, to show public interest, what if I photographed customers from the back - so that they are unidentifiable - with your staff waiting on them?" I implored.

This time, Chef Stick-to-the-Rules rolled his eyes, shook his head "no" again, and said "I suggest you take pictures on the outside of the restaurant."

A little frustrated, I  responded "Well, that's not news. People have been looking at the outside of this restaurant for months."

He simply shrugged, turned, and left me once again with the general manager, who had no objections to me photographing the staff welcoming customers in the front, just as long as I didn't show any customers, who were now streaming in steadily.

So I was left to my own creative devices to make an interesting picture, albeit one that really didn't give our readership an accurate representation of the event.


I detailed this encounter because it's one I frequently run into. Local businesses tend to welcome coverage from their local newspaper. However, local extensions of big corporations or chain franchises are rather balky, to say the least, when it comes to coverage. Their mostly inflexible policies towards news media reflect suspiciousness and outright disdain. Local managers who wouldn't mind some coverage of their establishments usually decline anyway, either in fear of making situational exceptions to corporate policy or having to navigate their way up the corporate ladder themselves seeking permission.

Remember the adage "bad publicity is better than no publicity?" Well, the opposite of that tends to be standard practice in the business world these days. That is to say, no publicity is better than an infinitesimal chance of some perceived less-than-positive spin on a story or some chance of a crazy, frivolous law suit. 

I've had construction companies decline coverage because of some fear that OSHA might spot some minor infraction in their workplace. I've had some business managers insist on approving any photograph before it is published (which would constitute prior restraint, or censorship, folks). One time, the manager at another national restaurant chain here in Statesboro objected when I took pictures of their establishment when they were performing exterior renovations, in plain public view. He was concerned that a picture would make people think the restaurant was closed. I had to explain that most people driving past would assume that they were indeed closed, but that a picture with a caption would explain they were still open and give a time frame for the completion of the project. It was really a public service to the restaurant, one that answered questions from a public curious about a popular restaurant.

Companies -- even public institutions, in fact -- carefully guard their image and seek to control any information disseminated about them. This is understandable -- to a point. It's the right of a privately owned company to operate in their own interests. However, don't companies that primarily serve the public have an obligation to operate with some amount of transparency?

I've tried to gain access to some companies which are essentially public gathering areas, but I have been banned and threatened for simply wanting to make photographs for stories about things like school supplies and holiday shopping. When I've tried to go through proper corporate avenues to gain permission, I've either been ignored or put off so long that story deadlines have passed. And, ironically, I have received press releases from these very same companies requesting coverage of their presentation ceremonies for charitable contributions.

Granted, it hurts a journalist's argument that they represent public interest when so many are employed by mega media corporations, some of whose business practices appear to run counter to public interest. Irony abounds and it hurts journalists with honest intentions, and it sometimes hinders the flow of information the public needs to know what's going on in their own communities.

Apparently, I am a scary monster behind the camera, but I am most welcomed when I cross the threshold with my wallet opened and my mouth shut.

Most of the time, these restrictions are mostly an annoyance for me. But don't blanket bans on media coverage make you wonder what goes on behind closed doors?

The debate about public vs. private interests will probably always rage on. When and where does one trump the other? How do we maintain a proper balance?

Thoughts?

Thursday, March 18, 2010 | posted in , , | 1 comments [ More ]

The Corporate Runaround (Part 1) ...

Okay, folks. I'm asking for real, honest-to-goodness input and dialogue from you.

First, however, I need to see if you're paying attention.

The Story: Statesboro is getting an Olive Garden® Restaurant. Construction has been going on for months and the public has been eagerly awaiting the opening of the popular Italian restaurant chain. Well, it's here. They officially opened their doors to patrons just before 4:00 p.m. Monday.

An Olive Garden® is a big deal in a town like Statesboro. An army of servers waited on a steady stream of customers, and I was there to witness and share the event with our Herald audience.

So I ask you ... what's missing from these photographs???


Part 2 awaits your responses ...

Tuesday, March 16, 2010 | posted in | 5 comments [ More ]

Historic icons: both a photographer and his work

Civil Rights photographer Charles Moore dies at 79, but his legacy live on.

Talk about the service of awareness ... there's hardly a better example for the power of photographs to bring to light conditions that demand action and attest to the perseverance of humanity right here in our own country. Not to mention the capacity for still photographs to pass into historic icons.

A moment of silence is appropriate, which should be shortly followed by a celebration for a life of service.


Copyright Charles Moore

Go here to view Moore's photographs.

Monday, March 15, 2010 | posted in , | 0 comments [ More ]

Now being served: Awareness

"Journalism is a service industry, and the service provided is awareness"
- James Nachtwey, from the PBS presentation of National Geographic Magazine's Top 10 Photos of the Year

James Nachtwey is one the world's most important photojournalists. He has dedicated his life to documenting some of the world's most horrific conflicts and conditions. His images are unforgettable and haunting, and that is his intention. Many consider him this generation's greatest war photographer, although he says he has come to consider himself an anti-war photographer. His focus is less on the battlefield action, although he has been wounded several times. Rather, his goal is to bring to light the widespread effect of human conflict - through his eyes, he wants people to know what happens to those caught in the crossfire, the consequences of warfare, even when actions are considered noble or justified by many. The conflicts he covers aren't relegated to traditional warfare: he is there, in the trenches, where people wage war against disease, oppression, poverty, famine. His mission, ultimately, is to go where most of us would never dream of going, hoping to appeal to our sense of humanity with his photographs.

So, you say, what does this have to do with your hometown photojournalist here in Statesboro and Bulloch County?

Well, on occasion, I have to cover some tragic events. Not on the scale as Mr. Nachtwey. But events that touch those right here in our own community. When we view photographs, even powerful ones, of far away events, we are still insulated by that distance. There might be a sense of immunity from these horrific scenes. That can't happen here, right?

However, house fires and traffic accidents are something that can happen to any of us, at any time. And the victims of those types of tragedies deserve our attention. In the end, photographing tragedy, anywhere, is an attempt to evoke awareness. Awareness that some our neighbors may have suffered and need our compassion, even if the tragedy was the result of poor choices or inattention. One of the most important aspects of awareness is that it, hopefully, provides motivation to take action, whether it's within our own lives, or in a broader civic capacity. Even if the lesson is something as simple as installing a smoke detector or not tossing cigarettes into the trash.

Nachtwey says from consciousness grows conscience. He's certainly done his part to foster that.

I'll keep trying, right here, one picture at a time.

Friday, March 12, 2010 | posted in , | 0 comments [ More ]

Michael Jackson and his role in photojournalism education

When it comes to teaching my class at Georgia Southern University, I'm not ashamed to admit that I steal lots of ideas from others who teach photojournalism.

I've stolen more than a couple from my friend Mark Johnson at the University of Georgia. I'm a little undecided about incorporating one of his latest techniques. As you can see, the results can be both horrifying and thrilling at the same time. For the full story, go here.

No mere mortal can resist ...



JOUR5370 dances to "Thriller," Athens, Ga., March 4, 2010. (Photo/Mark E. Johnson, www.mejphoto.com)
Used with permission

P.S. There might be a video on the way.

Friday, March 5, 2010 | posted in , | 0 comments [ More ]

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